Design

Repensa operações e processos de Design. Desenvolve estratégias de suporte e empoderamento de equipes.

With one foot amidst the idiosyncratic forms of the late 19th Century grotesques / grotesks, and the other among the rational maths of early 20th Century geometric sans-serifs, Mabry posits itself as several things at once: simultaneously contemporary and historic, rigorous and gestural, objective and subjective, cultivated and imprecise, refined and coarse all at once.

A monospaced typeface that nods to old typewriters without getting stuck in nostalgia. It doesn’t try to imitate them exactly but leans into their quirks—mixing serifs and clean lines in ways that feel a bit unexpected, maybe even playful. The result is neutral but personal, imperfect yet polished. It’s a font that feels at home in first drafts, messy ideas, or anything that needs a human, unfinished touch—just polished enough to look deliberate.

Tropiline is a bold, elegant typeface that takes classic influences and gives them a modern edge. Inspired by 18th-century fonts like Caslon and Bookman, it features wide, structured lowercase letters and just enough contrast in stroke width to flirt with a slab serif feel. It’s designed to stand out—perfect for packaging, logos, titles, and print ads. Playful, but never over the top. Stylish, but never stiff. Just the right balance of character and refinement.